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After exploring and rejecting the prevailing mode of abstract expressionist subjectivity, he was drawn to the more accessible work of Surrealist René Magritte and the commercialized realism of Pop artist James Rosenquist, both of which juxtaposed incongruous images in a single painting space. He studied art history and fine arts at the University of Hawaii (BFA, 1967 MFA, 1969), also working as a snapshot photographer for a tourist agency. In early adolescence, he worked at his father's auto body shop doing custom paint jobs, an experience that familiarized him with Southern California car culture, the airbrush as a painting tool, and working-class concern for craft-all factors in his later art. Early life and careerĮddy was born in Long Beach, California in 1944. He lives in New York City with his wife, painter Leigh Behnke. Critics such as Donald Kuspit (as well as Eddy himself) have resisted such labels as superficially focused on obvious aspects of his painting while ignoring its specific sociological and conceptual bases, dialectical relationship to abstraction, and metaphysical investigations into perception and being Kuspit wrote: "Eddy is a kind of an alchemist … art transmutes the profane into the sacred-transcendentalizes the base things of everyday reality so that they seem like sacred mysteries." Eddy has worked in cycles, which treat various imagery from different formal and conceptual viewpoints, moving from detailed, formal images of automobile sections and storefront window displays in the 1970s to perceptually challenging mash-ups of still lifes and figurative/landscapes scenes in the 1980s to mysterious multi-panel paintings in his latter career. He gained recognition in American art around 1970 amid a group of artists that critics and dealers identified as Photorealists or Hyperrealists, based on their work's high degree of verisimilitude and use of photography as a resource material. Cleveland Museum of Art collection.ĭon Eddy (born 1944) is a contemporary representational painter. Don Eddy, New Shoes for H, acrylic on canvas, 44" x 48", 1973.